The Transformation and Upgrading of Chinese IP Movie and the Deep Ploughing of Its Value
Abstract
Since 2017, the market has been in decline after China’s IP film upsurge, meanwhile the “concept hype” under the various capital games exacerbated the IP movie bubble crisis, and the content and quality became the bottleneck and short board of IP movie upgrading. Faced with market pressure and consumption demand, exploring the methodology of improving IP movies’ quality has become the key way to the mainstream. From the view of the present paper, on the one hand, it is necessary for us to uphold the spirit of the craftsmanship and innovation, promoting the serialization and platform development of IP movies with the industrial logic of industrialization; on the other hand, we should promote the IP and the original work together, draw creative inspiration from the traditional culture and real life, and realize the value ploughing and cultural confidence, so that we can build up the corresponding evaluation system and standard, and polish the high quality movies that reach the audiences ’heart after the exquisite carving.
Keywords
Full Text:
PDFReferences
Ma, D. (2015). Ocalization of IP Movies: Grass-roots soil construction is the foundation, and Culture is the key to IP businesss. Ttanium Media.
Shen, Y. (2015).The new hot spot of the film and TV industry. Art Review, 2.
Deng, J. P., & Zeng, Y. (2005). The Renaming Features of Listed Companies and the Concept Hype of Stock Market”, Journal of Management, 4.
Zhao, J. (2017). If IP needs screenplay or original? The Good story is the secret of success. Recreational Observation.
Sina Entertainment. (2016). The Sally Port in the film industry: develop heavy industry for one, come back to the story for another. Retrieved from http://www.yangtse.com/gd/2017-04-20/1241376.html.
Chinese People’s Political Consultative Conference. (2016, January). The market should maintain the quality consciousness.
Rao, S. G. (2016). Chinese cultural elements in the Chinese magical movies. People’s Forum, 24.
Bai, Y. & Cha, Y. F. (2010). Experts call for the return of chinese film to realistic concerns. Xinhua Daily Telecommunication. Retrieved from Http://news.xinhuanet.com/mrdx/2010-02/03/content_12923669.htm.
Lan, R. (2015, December).The Hot and Cold Thinking on IP Movies. People’s Daily.
Zhang, Y. X. (2015, December). The battle of IP: The game of original and business. The Hedgehog Commune. WeChat Official Account.
Wang, Y. F. (2016, September).owdown growth at the box office has triggered the question. Has the quick money spoiled the film? New Daily News.
Huang, X. X., & Xue, S. R. (2017, May). Focusing on the Reality Can Be Closer to the Heart. Guangming Daily.
Xiao, Y. (2017, June). If Box offices suffer landslide, how can we fight with Transformers? Beijing Youth Daily.
DOI: http://dx.doi.org/10.3968/10455
Refbacks
- There are currently no refbacks.
Copyright (c) 2018 Canadian Social Science
This work is licensed under a Creative Commons Attribution 4.0 International License.
Reminder
- How to do online submission to another Journal?
- If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:
Submission Guidelines for Canadian Social Science
We are currently accepting submissions via email only. The registration and online submission functions have been disabled.
Please send your manuscripts to css@cscanada.net,or css@cscanada.org for consideration. We look forward to receiving your work.
Articles published in Canadian Social Science are licensed under Creative Commons Attribution 4.0 (CC-BY).
Canadian Social Science Editorial Office
Address: 1020 Bouvier Street, Suite 400, Quebec City, Quebec, G2K 0K9, Canada.
Telephone: 1-514-558 6138
Website: Http://www.cscanada.net; Http://www.cscanada.org
E-mail:caooc@hotmail.com; office@cscanada.net
Copyright © Canadian Academy of Oriental and Occidental Culture