A Study on English Translation of Culture-Loaded Words in The Republic of Wine From the Perspective of Postcolonial Translation Theory

Abstract

Numerous scholars assert that Mo Yan’s Nobel Prize in Literature is a testament to the exceptional artistic quality of his works, as well as the pivotal role of translation in their dissemination. Despite the extensive attention and analysis that the Republic of Wine has garnered within the literary domain, there is a notable dearth of research dedicated specifically to its English translation. This paper, therefore, employs the theoretical framework of postcolonial translation theory to examine the English rendition of the Republic of Wine, with a particular focus on the translation strategies employed for culture-specific terminology. The investigation reveals that the adoption of postcolonial translation theory not only enhances the target language audience’s understanding of Chinese cultural nuances but also fosters the exchange and integration of diverse cultural perspectives. Consequently, this approach contributes to the broader international recognition and appreciation of Chinese literature.